Woman in a white singlet with her hair illuminated by a sunset

Exit #6, (Film stills), Video installation, 2010

ʻExitʼ is a photographic/video installation piece by writer and director Siouxzi Connor, with photographic images shot by myself, Chris Erlbeck and Sam Stephenson.

The story follows the classic narrative of a road trip and aesthetically celebrates the Australian landscape, however reaches beyond the narrative to explore tensions of time, space and the sexual tension between two female hitchhikers.

ʻExitʼ consists of three interweaving cyclical stories that were shot as a series of stills and HD video. The imagery is exhibited as continuous looping projections, supplemented by looped motion video footage of various highway landscapes and an intimate underwater scene.

Following are a selection of stills I shot for the installation. I also composed and performed the music for the installation. It premiered at the Berlin Institute for Cultural Inquiry in September, 2010. You can view the completed piece online here.

Credits

With Sebastian Goldspink, Rachael Brown, Henar Perales

Music by Tristan Still

Underwater scene edited/graded by Hannah Kim
Sound design/edit by Henk Hop
Split screen by Anja Keyßelt
Supported by the Berlin Institute for Cultural Inquiry

Underwater image of a woman in a white dress

Exit #1, (Film stills), Video installation, 2010

Two women with wet hair and clothes lying on a bank of a river with their foreheads resting on each other

Exit #3, (Film stills), Video installation, 2010

Furry seeds of long grass backlit by a sunset

Exit #4, (Film stills), Video installation, 2010

Horses at dusk with slight movement

Exit #2, (Film stills), Video installation, 2010

Woman in a white singlet holding a red antique suitcase on a country road at sunset

Exit #5, (Film stills), Video installation, 2010

A womans hand resting against muddy earth in a half exposed photographic frame

Exit #7, (Film stills), Video installation, 2010